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I got picked for the Fulldome Festival in Jena, Germany this July!!! 🎉

I made a planetarium short film called "Breath of the Loci" and collaborated with Todd Barton on shakuhachi (Japanese bamboo flute) sections of the soundtrack. I played the intro, he played the pillars section, I did the middle cosmic march part, and he did the outro. There was also tin whistles and gnarly synth drones involved! 😎

https://www.instagram.com/reel/DZEDx6UsBZq/?igsh=dzZzc2hnOHk0cnY3

This show has been a long time coming. Communicating with and organizing around 28 artists has been a lot, but as always, it's worth every moment of patience and planning and scheming. When I get about half of the videos, I can start to feel how the show will look; how it will sound, the way it will make you feel. All this to say that I've been really excited to share this one with you for a while now. Weighing in at 4hrs, 42min, it's definitely a modular marathon so I'll be impressed with the few who make it for the whole show (because I know there will be a few of you!). After the initial broadcast, I'll add all the counter times for fast navigation.

This Sunday, 11AM Pacific, 2PM Eastern, 6PM GMT

Hello everyone,

I feel like the modular and the field recordings worlds are very different but often have a lot of crossover. I know some people like to feed field recordings through their rigs and afftect them live. I've also seen people drop field recordings into granular synths and manipulate them that way. These are just a few ways I've seen them used in the modular domain. How do you use field recordings in your set-up? I'd love to hear some sound examples too!

Additionally, I'd like to share a collection of field recordings I recently did in Louisiana. https://thruoutin.bandcamp.com/album/thruoutin-tchefuncte-soundmap

Any idea when is the next show? I can't find anything on here.

I wanted to share my ambient live set from Modular Commune (Beijing, China 2025).

The organizers have just uploaded a big chunck of the performance videos from last year. If you go to their YouTube you can check out local and international artists from the event.

While I didn't do a modular set in the Eurorack / Buchla / MOOG sense of the word, I did do a mixture of tape manipulation and Omnisphere 2 via Ableton Live + Push 2. I hope you enjoy and if you're ever in Beijing during November keep an eye out for this event. It's like a noise/electronic/ show with two floors and a mini-NAMM of China type of thing with workshops and snacks.

Hi California. I will be in San Diego from March 25th until March 29th. I'd love to go to (or play) any event or meetup. If there is something happening let me know. I'm bringing my my travel case :).

Hello Modular Worlds friends. Quantum Music with Qunotes using my DIY One-Qubit Processor controlling digital synthesizers on iOS over Bluetooth. More details here:

I was excited to join Colorado Modular Synth Society members OnPrem, MANMADEMADMAN, and Jacob Porter for a night of Modular Electronica last week. Here's part of my set that got into chill / experimental territory - with some "video postcards" along the way. On my hybrid setup I route the Jamstik MIDI guitar to an OXI Coral in Eurorack and the Hydrasynth. A Conductive Labs MRCC handles the MIDI routing (and adds some program changes from the laptop). https://youtu.be/rE0Ch-1f4B0?si=Cx4w0ZRvghuhkY-o

A French friend of mine in Germany is a director named Arthury Henry. He approched me about doing the soundtrack to his short film called Detour. It's a dystopian future, sci-fi story. I used a bunch of tape manipulation methods and combinations of effects untis and noise makers to essentially play the soundtrack live with the movie and edit it later. Also, Dutch violinist Karin Van Kooten added meloncholic textures on top giving it a pretty somber feel.

thruoutin.bandcamp.com

6 track album

Released on tape by LITA (Dalian, China)