I built a Serge paperface modular synthesizer
- Johno Wells
- 7 days ago
- 6 min read
Ok, let's break this down. What are we talking about, and how tiny of a niche is this?
Start with the main topic and then break it down:
Music
Electronic Music
Hardware-based electronic music
Modular synthesis
Circa 73-75, Los Angeles, Cal-Arts scene with Serge Tcherepnin
4U Modular synthesizer Paperface panels from DIY builds
That's 5 niches deeper than our main topic: Music.
And most people could care less after #2, once they've defined the genre.
All this to say, this is some deep, PHD-level, nerdy-ass synthy shit.
So why the interest in DIY and specifically in the 4U format?
Well, my DIY interest started as a kid with Heath Kits (aging myself here) and then haven't returned, but have always missed the smell of solder and the feeling of making something from electronic components. So seeing a lot of the DIY scene in eurorack, I've been itching to get going again.
But, my interest in the 4U format takes a little more splainin', Lucy.
I got into Eurorack (ie: 3U. Three rack spaces in height) in 2018, and until about a year ago, the GAS (Gear Acquisition Syndrome) was so bad that I could barely make music. I was totally into (and yet lost in) this huge franken-synth of a system comprised of modules from many manufacturers with their own rules, problems, successes, and paradigms. Sound familiar?
In fact, I'd see the Make Noise shared system, and other systems made of only one manufacturer and wonder WHY ON EARTH you'd want to limit yourself to the modules of one creator. Now I see it differently.
Distractions of shiny pennies..everywhere!
I see a lot of my eurorack situation as distractions from the main thing I'm here for : learning SYNTHESIS and making music. I love synthesis so much. I'm totally fascinated...smitten?
But the GAS thing...I have to accept that this problem is on me...
I've gone down the rabbit hole of the next shiny penny like so many of my friends and contemporaries. It's hard. The innovations are incredible...and constant, especially in the digital domain. But in my humble opinion, the eurorack industry is incredibly over-saturated right now. Everything has been done. We all have some amazing digital modules that do 70 things really well and are also, sadly, barely usable with all the shift functions, menus, and over-engineering.
I've been longing for simplicity. No screens, and back to the basics of synthesis - not the latest update to a module's firmware. This isn't an analog vs. digital thing either, btw. I love my samplers and digital effects modules in eurorack. So...yeah..no analog snobbery here. :)
But, I feel that eurorack can sometimes do a lot of the work for you. With the paradigm of "patch programmability" (ie: everything is everything) with Serge systems, you have to do it all yourself, all the while with these rudimentary and historical circuits that are the very building blocks of synthesis.
Sound exciting? Read on...
Prism Circuits

My journey into modular synthesis has had a Yoda-type character at every turn, and he's here for this one too. Of course, he is.
In 2018, Skyler King welcomed me to the modular scene in L.A. when he was involved with Modular on the Spot and was working at Analog Haven.
Here's a shot of a very new and excited Johno Wells, on his first trip to the mothership to Santa Monica to hang with this guy named SKY.




































































"I built a Serge paperface modular synthesizer", by Johno Wells, published April 5, 2025
For information on building a paperface Serge system from Prism Circuits, start here.
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